Whether you’re a fan of underground or mainstream rock music, you have to admit that the scene has thrived in recent years, with many artists, bands, and other music outlets delivering some of the finest works in the rock scene in recent years. We are witnessing the resurgence of the genre that has been vital for so many decades; it’s nearly impossible to ignore the fact that it’s one of the most fruitful styles the music world has ever experienced. “Beauty Exists in Everyone” is definitely one of those recordings that deserves your utmost attention, especially if you’re interested in what’s happening on the Estonian music scene. By being a prominent member of Tallinn’s underground, Fuzzolini have made a name for themselves by offering music that goes far beyond any expectations. As torchbearers of independent, experimental, and genre-defying sound, they continuously break all the rules and shapeshift the boundaries of what rock music could and should be, and this brand-new material pretty much sums up their intentions. And the best part about this amalgam of songs is how Fuzzolini continiously levitate between many subgenres without losing consistency, sonic direction, dynamics, and power. Throughout the entire material, they embrace and employ some of the finest properties of stoner, grunge, alternative, psych, garage, noise, lo-fi, and hard rock, but do not be surprised if you stumble upon some other genres along the way, because these folks love experimentation. They use all these sonic ingredients as more than necessary enhancements, accentuations, decorations, and other details in order to uplift their music to new heights while simultaneously remaining loyal to the primary sonic direction. The modern and retro elements collide harmoneously, crafting a fresh and unique atmosphere rarely heard or seen in contemporary music nowadays. Therefore, is a one-of-a-kind listening experience that will satisfy even the pickiest listeners.
“Beauty Exists in Everyone” keeps you engaged and tied to the seat from start to finish. It’s one of those recordings that demands your full dedication as a listener. And the best part about it is that it also rewards repeated listens, as these skillful musicians poured so many tiny nuances, accentuations, elements, details, and hidden gems in these songs. Everything’s unique about this album. You’ll notice how vocals serve multiple purposes here. Sometimes they elevate all the instrumentations to new heights, sometimes they decorate particular segments or instrumentations, sometimes they just act as an ambient layer floating above mentioned orchestrations, but they definitely always contribute emotional depth and complexity, command attention, and guide the listener on this epic voyage through the expansive sonic universe. The best part about it is how each composition arrives with its own set of vocal techniques. Sometimes it shines with clean, polished, reverby chants, adding more melody and harmony to the song, while on some occasions it brings aggression through the well-articulated screams, shouts, and growls, adding more power to already heavy and energetic songs. At many points, the vocals articulate as a separate instrument, making this material so pleasant to the ears. In the meantime, the comprehensive collection of guitar interplays shapes a perfect backdrop for all the vocals to shine upon. You’ll notice how all those raw, abrasive, gritty, aggressive, heavily distorted riffs resonate on one side while the other brings mesmerizing melodies, harmonies, themes, and other sonic maneuvers over the top. There are also lush synth works, offering many impressive soundscapes that definitely contribute more depth, detail, and complexity to this material. Everything is so tastefully, carefully, thoughtfully, wisely, and expertly assembled, to the point when you’ll notice how all those layers articulate together without overwhelming each other.
Of course, this marvelous album wouldn’t sound this good without the equally impressive rhythm section. You’ll notice all those vividly hearable, warm-sounding, intricate basslines, rumbling beneath all the guitars and synths, and contributing more than necessary heaviness, clarity, and depth while acting as a binding element that glues all mentioned instrumentations and rhyhtmic patterns together. These low ends provide warmth, detail, and groove without overwhelming any guitar and synth works, proving that Fuzzolini thought about everything while assembling this incredible album. The exceptional, technically demanding, impressive drumming performance, based upon cleverly assembled, flawlessly performed, well-accentuated beats, breaks, fills, and other percussive acrobatics, keep the remainder of the band in line while dictating groove and pace. Each rhythmic sequence complements riffs and melodies with such precision and finesse. As you can see, each instrument has its place and purpose, working to the advantage of the entire material. Tracks like “Ghost Beyond The Glass,” “To Live To,” “Balloons,” “Born To Burn,” “Silence At Last,” and “Empty Streets” are definitive standouts, but you should pay attention to the entire material, because these folks are masters at crafting catchy, memorable, complex, experimental rock songs.
