Transformation, growth, and rebirth drive Rhododendron‘s forthcoming LP Ascent Effort (out May 15 on The Flenser [pre-order]). The record documents a period of change defined as much by instability as progress, where confusion and renewal unfold at the same pace. Ascent Effort does not offer catharsis in the traditional sense. It allows tension to remain. In that unresolved space, transformation takes form and a band in motion is revealed.
The album’s second single “Like Spitting Out Copper” arrives today, and Rhododendron multi-instrumentalist Ezra Chong says it was “…the first song written for the record after I had moved down to Eugene, OR for school. This was a decision in which I would eventually upend, but I look back on it as a good choice at that moment. The change of environment is reflected in this song, as it marked the point where we started actualizing the evolution of our music as opposed to just making updated renditions of past songs.
My lyrics are purposefully omitted but this song is about the struggles that come with attempting and failing to take care of your basic needs on a day-to-day basis and the disillusionment that can build up in someone; specifically, it was inspired by a nasty bout of gingivitis I was dealing with at the time.”
Formed in 2019 while the band’s members were still in high school, Rhododendron’s Ezra Chong (guitar, vocals), Gage Walker (bass), and Noah Mortola (drums) set out to push their musical limits without regard for genre boundaries or audience expectation. Over the past 7 years, the trio has developed a sound rooted in technical precision and repetition. Drawing from the angular experimentation of underground rock in the 1980s and 1990s alongside elements of jazz, ambient, and progressive music, their compositions are deliberate with intensity.
Riffs fracture and reform, rhythms lock into patterns only to break apart, and extended passages build pressure before shifting direction. Performing regularly in their hometown of Portland, OR, Rhododendron have cultivated an intense and loyal local following. The live setting hardened the material, and songs grew heavier, sharper, more physical through repetition and high volume.
The material that became Ascent Effort was tested on tour before entering the studio. Written largely in sequence, the album traces a period of personal change and internal friction. Growth is not always clean; sometimes it grinds forward. Nothing resolves without cost. Confusion and strain do not sit outside the songs, they shape their architecture. That is what Rhododendron has accomplished with Ascent Effort, a work that is not always clean but well-shaped by struggle and growth. The Pacific Northwest lingers in the background of the record, its long winters and brief summers echoing the album’s shifts between abrasion and restraint.
Pre-order Ascent Effort here and see Rhododendron live:
May 06 Pioneertown, CA — Pappy & Harriet’s ^
May 07 Las Vegas, NV — The Usual Place ^
May 08 Oceanside, CA — Pour House ^
May 09 Los Angeles, CA — The Echo ^
May 10 Oakland, CA — Stork Club ^
May 12 Eugene, OR — House Show
May 30 Portland, OR — Aladdin Theater [Record Release Show]
July 05 Dallas, TX — AM/FM +
July 07 Houston, TX — White Oak Music Hall +
July 08 Austin, TX — RADIO / EAST +
July 11 Vancouver, BC — The Pearl +
July 12 Seattle, WA— Showbox +
July 16 Santa Ana, CA — Observatory Santa Ana +
^ with Dazzling Killmen
+ with Have A Nice Life
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