Lamb Of God Release Video For Omens

Lamb Of God
Photo: by Travis Shinn

Watch and listen to “Omens,” the title track from LAMB OF GOD’s forthcoming 9th album. The new single from the GRAMMY-nominated metal colossus is available everywhere for download and streaming.

“I think a lot of the messes human beings find ourselves in could be very easily prevented simply by paying attention to obvious repeating patterns, both in our personal lives and in a broader sociohistorical context,” says LAMB OF GOD frontman D. Randall Blythe. “What some call ‘omens’ are really just manifestations of the fact that there is nothing new under the sun. It’s foolish to ignore this, but we all do it.”  

The gargantuan “Omens” follows the album’s first single, “Nevermore,” which collected more than 1 million views on YouTube and over 1 million streams on Spotify shortly after its release just last month.

The hard rock and metal press described “Nevermore” as “crushing” (Metal Injection), “like a nail bomb” (Revolver), and “a thundering taste of what’s to come” from the band’s new album (Kerrang!).

The Omens album arrives on October 7th, 2022, on Epic Records.

Album preorders are live, and tickets are on sale for The Omens Tour, featuring Lamb Of God and special guests Killswitch Engage, Motionless In White, Spiritbox, Baroness, Animals As Leaders, Suicide Silence, and Fit For An Autopsy join on different legs. The tour kicks off on September 9th in Brooklyn, New York.

Omens follows 2020’s self-titled No. 1 Hard Rock Album, saluted by the likes of Rolling Stone and NME. Omens is perhaps their angriest album yet. Produced by longtime collaborator Josh Wilbur (Korn, Megadeth), Omens is a vicious new testament for the Richmond, Virginia-based band, a furious entry in their beloved catalog. “The world is crazy and keeps changing. Omens is a reaction to the state of the world,” Blythe explains. “It’s a very pissed-off record.” He pauses for emphasis. “It is extremely pissed-off.” 

The New Wave Of American Heavy Metal architects tracked Omens at Henson Recording Studios in Los Angeles, California, a location that birthed classics from The Doors, The Ramones, and Soundgarden, among others. “The inner workings of the band have never been better,” explains guitarist Mark Morton. “You can hear it in Omens. You can see it in our performances, and if you’re around us for five minutes, you can feel it.”

The Omens album pre-order is live now at Lamb-Of-God.com, boasting special bundles and several exclusive items, including colored vinyl, shirts, hoodies, box sets, and CDs with an alternate color cover.

“For millions of headbangers, Lamb Of God are simply the most important contemporary metal band in the world,” Guitar World observed. Lamb Of God grew from basement shows and grimy DIY venues to arena headliners. Over the course of their career, the Richmond, Virginia-based band earned a reverence akin to musical forefathers (and road companions) Metallica, Slayer, and Megadeth. Timeless songs like “Laid to Rest,” “Redneck,” “Walk with Me in Hell,” and “Now You’ve Got Something to Die For” became anthems in the heavy metal songbook. They shoved heavy metal into the new millennium with New American Gospel (2000). As the Palaces Burn (2003) joined Rolling Stone’s Top 100 Greatest Metal Albums of All Time. Ashes of the Wake (2004) was the first Lamb Of Gold album certified gold by the RIAA, a feat once all but impossible for a contemporary extreme metal band. Sacrament (2006), Revolver’s Album of the Year, went gold as well. The raw and organic malice of Wrath (2009) began the band’s enduring relationship with Wilbur. Both the diverse Resolution (2012) and the explosive VII: Sturm und Drang (2015) debuted in the Top 5 of the Billboard 200. The 2020 self-titled set, their first new material in five years, added instant classics “Memento Mori” and “Resurrection Man” to the repertoire, alongside eight more monster tracks. Revolver, Metal Hammer, and Loudwire included Lamb Of God on their year-end Best Albums lists. The momentum continues with Omens, the band’s most aggressive and ambitious album yet.

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