
Plastic Sunday’s self-titled third album is a fascinating dive into the deep, fuzzy alternative rock, noise, psych-rock, and shoegaze waters. This trio from Niš, Serbia, brings a bold, immersive, hypnotic, and irresistibly heavy sound, grasping the spirit of alt-rock in all its abrasive glory. The album flows like a wave of raw, unrestrained energy, yet each song is expertly crafted with clever arrangements and nuanced picks. It’s a carefully assembled blend of different but complementary music genres, standing as a true homage to the grit and experimentalism of alternative rock. With the initial notes and beats, the album grabs you with so many layers of tastefully arranged guitar works. These instrumentations act as a front and center throughout, wielding distortion, reverb, and other effects like flanger and rotary with skillful intent. Each song is laden with raw, distorted chord progressions that conjure almost substantial energy, making the listener feel like they’re in the middle of a live set in a packed underground club. There’s a sense of controlled chaos in the guitar’s relentless noise, balanced by intricate harmonies and a rich variety of riffs and melodies. This range in sonic experimentation gives the album a unique character, pulling in the influences of noise rock and garage rock but always with a hint of psych-rock’s dreamy allure.
The vocals add an essential layer of depth and emotion to the album. The lead vocals are passionate and gritty, perfectly suited to the album’s rough-around-the-edges sound. There’s a sense of honesty in the way each line is delivered, making the album feel personal and immediate. Backing vocals and singalongs accentuate key moments, amplifying the energy even further. Together, the vocal arrangements build a kind of raw, anthemic quality that invites listeners to join in, making the experience feel almost communal. This vocal approach adds a layer of accessibility to the album, countering the abrasiveness of the music and creating a balance that draws you in even further. Beneath the roaring guitars, the basslines bring substantial weight and clarity. Rather than simply following along, the basslines on this record are intricately threaded into the mix, adding depth and definition that enhance the overall heaviness. They pulse with a steady, rumbling intensity, serving as the binding force between the guitars and drums. This bass work enriches the music’s sonic landscape, grounding the songs with a layer of warmth and depth that complements the sharpness of the guitar. It’s a sound that vibrates through your chest, particularly when paired with the carefully constructed guitar effects, giving the album a sense of powerful and deeply satisfying dimension and physicality.
Plastic Sunday’s drummer is the hidden hero here, dictating the groove and pacing of the entire album with an impressive array of creative and technically demanding beats, breaks, and fills. Each rhythm adds a level of dynamism to the album that keeps it engaging from scratch to finish. Rather than sticking to a simple backbeat, the drums accentuate each composition’s twists and turns, creating a feeling of spontaneity while still keeping everything tight. This is especially evident in the transitions between verses and choruses, where the drums don’t just keep time but propel the song forward, adding a subtle groove that hooks the listener. The drummer’s approach gives the album a sense of movement, making every track feel like part of an overarching journey. The production on Plastic Sunday’s third album deserves a special mention. The recording captures each instrument’s nuances, from the intricate basslines to the atmospheric guitar effects and the punchy drum hits. The sound is raw and polished, maintaining the intensity of a live performance while allowing each element to shine. Reverb is applied generously, adding a vast, almost cinematic quality to the music that enhances its hypnotic appeal. The songs have an immersive quality, each track pulling the listener deeper into the layered, textured world these skillful musicians carefully crafted. The flanger and rotary effects on the guitar give certain moments an otherworldly feel, creating waves of sound that wash over you and make it easy to get lost in the album’s depths.
Structurally, the album is brilliantly composed. Each song is built with a clear sense of direction and flow, featuring intricate segments that come together perfectly. The band avoids predictability by adding unexpected shifts and turns that keep you on your toes. Each track is punctuated with clever ideas and creative choices, from experimental sonic maneuvers to surprising rhythmic changes that add a touch of avant-garde to the otherwise straightforward alternative rock sound. These moments of innovation give the album an exciting unpredictability, making it feel like each song is revealing something new with every listen. This attention to structure and detail elevates Plastic Sunday’s work beyond a standard alternative rock album, showing the band’s dedication to pushing their sound forward. In essence, Plastic Sunday’s self-titled album is unquestionably one of the standouts on the contemporary Serbian alternative rock scene. It brings together the grit of garage rock, the expansive feel of psych-rock, and the ethereal quality of shoegaze, creating a powerful and unified sound that feels greater than the sum of its parts. Their ability to blend influences while staying true to their own style is what makes this album so compelling. It’s not just a collection of songs, it’s a sonic experience that pulls you in, a wall of sound that you can feel in your bones. Each listen uncovers something new, whether it’s a subtle bassline you missed the first time or a clever drum fill that adds an extra layer to the track. It’s a record that simultaneously feels timeless and modern, carrying the spirit of traditional alternative rock while pushing into new, experimental territory. With this marvelous self-titled release, Plastic Sunday has firmly established itself as one of the leading forces not only on the local but regional alternative rock scene. For more information about ordering, head to the Pop Depresija’s website.
