Today, we’re heading to 2022, the time when Psalms released their debut full-length album called “To The Memory Of Things To Come.” Honestly, it’s one of those album that immediately grabs your attention and refuses to let go even after this comprehensive collection of songs finishes. Profoundly inspired by renowned acts like Jawbreaker, Fugazi, and Gang Of Four, Psalms deep dive into several different but complementary subgenres to illustrate such lush sonic imagery. Perhaps post-hardcore comes to mind first, but you’ll notice how they incorporated some of the finest properties borrowed from melodic punk rock, grunge, alternative, emo, and indie music. They use all these additional elements as more than necessary enhancements, accentuations, decorations, and other details to uplift their music to new heights while remaining loyal to the primary sonic direction. Therefore, these experimentations with many different but complementary styles make “To The Memory Of Things To Come” such an enjoyable listening material that will many underground music fans greatly appreciate.
“To The Memory Of Things To Come” continuously levitates between nostalgic eighties, nineties, and early noughties music, while giving clear nods to the modern sound. This wise move allows Psalms to experiment with their music as much as possible while remaining loyal to the initial sonic direction. Their ability to blend all these styles makes them stand out on the contemporary scene, as each song delivers a fresh, unique, innovative listening experience while playing an integral part in album cohesion. The most important part about their music is the fact they’re not joking around. Psalms arrive with a colossal wall of raw, abrasive, fuzzy, heavily distorted sound that immediately overflows your listening apparatus. You’ll immediately notice how all the guitar interplay plays an integral part in this sonic equation, as they deliver tastefully assembled, catchy, memorable, engaging riffs on one side, while the other shines with exceptional leads, themes, melodies, harmonies, and other sonic maneuvers. These guitar works act as a perfect backdrop for all the vocal articulation to shine upon.
Speaking of vocals, you’ll hear how the impressive vocal range commands attention and guides your ears through every segment while balancing low, mid, and high notes with such precision and finesse. Like the remainder of the band, these vocal harmonies play a significant role in shaping such a cathartic listening experience, worth repeating over and over again. “To The Memory Of Things To Come” wouldn’t sound this good without the rock-solid rhythms section. The equally intricate low-ends rumble beneath all those guitar interplays, offering more than necessary heaviness, clarity, and depth while binding all these instrumentations together. The highly skilled drummer propels this magnificent sonic journey to new heights with his impressive performance. You’ll hear how he keeps the remainder of the band in line while dictating groove and tempo with expertly assembled, energetic, well-accentuated beats, breaks, fills, and other percussive acrobatics. Everything sounds perfect throughout the entire album, making this debut an outstanding display of Psalms musicianship, ideas, and skills. Tracks like “Hum Like Noise,” “Dawn Of The Black Hearts,” “M.C.,” “Calling It Quits,” “Long Conversations,” “Blurred,” “Happy Accidents,” and “4,489” are the standouts, but you should pay attention to this material in its entirety, as Psalms shine in the limelight with their music all the time. Head to their social media platforms for more information about ordering.
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