Yoo Doo Right Share New Single

Montréal experimental rock outfit, Yoo Doo Right, have announced their fourth full-length album, Build and Rest by the Shepherd’s Light out 6th November on Mothland (Pre-order) and shared lead single,“Doldrums, Doldrums, Eviler Than the Devil” accompanied by a video made by Stacy Lee.

Kicking off with a 5-beat mantra-like guitar intro, the new single subtly evolves along a countering 4-beat motorik rhythm, intrically-woven arrangements drawing equally from post-rock and krautrock. Dancing in and out are droney, half-spoken vocals, its cryptic lyrics entirely free for interpretation. Yet, while traversing this 6-minute epic, one can’t help but feel the inherent gap between one’s purpose and the proverbial “grand scheme of things”.

Yoo Doo Right explain, “We were just regularly fooling around with the idea of layering the drums in 4 and guitar in 5 time signatures, respectively. This fun exploration birthed this song. This song has been a staple live for a while. Outro is a very laid back dive into a dampening groove and a soaring lap steel guitar lead.”

On the video, director, Stacy Lee says “The entire film is paint on film. There is no narrative, and there are no images that correlate to the song in a literal way. It’s carried by colour, texture, rhythm, and repetition alone. In the same way, the song builds its own meaning through repetition and accumulation. I wanted the film to respond in kind and take on a similar shape. It felt like the only form that honoured the intention of the work.”

Yoo Doo Right’s music weaves contemplative melodies, rich chromatic harmonies, and manifold effect chains into resilient cadences that anchor a shifting landscape of sounds and structures; Justin Cober (electric guitars, bass VI, synthesizers, piano, tape recordings, voice) and John Talbot (drums, percussion) create a unique sound where “towering monoliths of roaring riffs crash against swarms of restless rhythms” (Pop Matters)”.

For the latest chapter of their sonic manifesto, Yoo Doo Right engage with deep sonic exploration, purposeful looping motifs, and dynamic walls of sound, reigniting their unwavering connection to experimental music. In turn, tracks from Build and Rest by the Shepherd’s Light range from loud, amplified forreys into post-rock and krautrock, all the way to highly-tempered, effects-laden pieces akin to ambient, noise, and drone. Straying away from pragmatic boundaries, this offering opts for a rather symbolic approach to creation, the different pieces free to unfold in a myriad of ways upon listening.

From the creators’ point of view, Build and Rest by the Shepherd’s Light chronicles the hardships of artistic resolve, acknowledging the daily grind required to keep the momentum going, all the while embracing the shared joy that permeated the creation process. There is an underlying tribute to the communities that foster art, the title “Industriestraße 9” paying homage to a defunct squat in Lucerne, Switzerland where Yoo Doo Right used to play. Symbolism seeps through song titles such as “Tortue”, “Sofort, Si fort”, or “To Be a Lambskin (Or to Be the Whole Flock)”, offering enigmatic glimpses into their creative vision.

Additionally, the track “Neighbours Report Their Neighbours” features a deeply evocative spoken-word poem delivered by co-producer Ky Brooks. After joining Talbot and Cober on tour, Timothy Aaron Bryan was invited to record the bass on “Doldrums, Doldrums, Eviler Than the Devil”, a track that has already become a staple of the band’s live performances. The album also features guest musicians Jessica Moss on violin and Francis Leduc-Bélanger on trumpet and flugelhorn.

Build and Rest by the Shepherd’s Light was recorded by Ky Brooks at Hotel2Tango (GY!BE, Wolf Parade, Do Make Say Think) and Error 403 in Montréal (QC), mixed by Seth Manchester at Machine with Magnets (Battles, Lightning Bolt, Deer Tick) in Pawtucket (RI), and mastered by Amar Lal at Macro Sound (Pile, Hannah Frances, Titus Andronicus) in Oakland (CA).Live, Yoo Doo Right, are as loud and assertive as they are dynamic and ethereal.

Never shying away from touring opportunities has led them onto multiple stints in Europe, the United Kingdom, and North America. Along the way, they have received invitations from Le Guess Who, SXSW, Levitation, Left of the Dial, Reeperbahn Festival, Amplifest, Dunk! Fest, Sled Island, Treefort Music Fest, and M for Montreal, also sharing the stage with the likes of Acid Mothers Temple, DIIV, A Place to Bury Strangers, Wooden Shjips, Kikagaku Moyo and Angine de Poitrine.

EU Tour Dates 2026:
23.10 Rotterdam, NL – Left of the Dial
24.10 Rotterdam, NL – Left of the Dial

23.11 Amsterdam, NL – Paradiso *
24.11 Groningen, NL – Vera *
25.11 Hamburg, DE – Knust *
26.11 Berlin, DE – Lido *
27.11 Prague, CZ – Subzero *
28.11 Frankfurt, DE – Zoom *
30.11 Zürich, CH – Plaza *

01.12 Milan, IT – Arci Belleza *
02.12 Lyon, FR – Le Transbordeur *
03.12 Strasbourg, FR – La Laiterie *

* Supporting SLIFT