Bizou Share New Single “Deep Rem”

Los Angeles synth-heavy shoegaze outfit Bizou are excited to share their new single “Deep Rem.”  The song is latest track to be shared from their anticipated new EP Widow out September 25 on Moonboot Records (pre-order).

The song follows the EP’s lead single “’Death Mag” which serves as the emotional centerpice of the EP, meditating lushly on the futility of suicide. The track oscillates between hushed verses and euphoric choruses, undercutting the pull of despair with stubbornness of remaining alive.” Both tracks are on all streaming platforms for playlist shares. 

To celebrate the release, Bizou will be playing a Los Angeles EP Release show on November 3 at Gold Diggers. The show will include support from Nightjacket and Landroid. Tickets for the show are on-sale now. 

Formed in 2017, Bizou brings together Josiah Mazzaschi (Light FM, Child Seat), Nicole Fiorentino (Smashing Pumpkins, Veruca Salt, Garbage), Marisa Prietto (Wax Idols, Glaare, Some Ember), and Nicki Nevlin (Light FM). Bizou leans on chemistry over pedigree — folding post-punk urgency into synthwave, industrial, trip-hop, and experimental pop, and translating it into wall-of-sound live sets that have built them a devoted cult following. 

Following the release of their critically acclaimed Tragic Lover in 2021, the members dispersed into various creative pursuits: Mazzaschi formed the kinetic indie/new-wave project Child Seat with singer Madeleine Matthews; Prietto co-wrote an LP with longtime collaborator Dylan Travis of Some Ember; and Fiorentino joined Garbage for a series of multinational tours. In summer 2025, Mazzaschi and Prietto reconvened at Cave Studio to begin writing and recording what would become Widow. After a multi-year incubation, the EP arrives in September 2026.

Widow unfolds like a fractured prism, reflecting the duo’s drive toward formal and emotional experimentation. Angular, spasmodic passages give way to unexpected moments of clarity—at times evoking what the band describes as “industrial Enya.” “Death Mag” anchors the record, followed by an irreverent cover of Wire’s “Ahead,” a staple of the band’s live shows. The closing track, “Losing My Memory,” draws initial inspiration from a YouTube oddity: a performance of sheet music painted on the back of a condemned figure in Hieronymus Bosch’s The Garden of Earthly Delights, before drifting into a dreamlike, sugar-spun farewell.

Nearly a decade after first fusing post-punk intensity with synthwave shimmer, Widow finds Bizou sharper and more adventurous than ever, each detour folding back into a sound that feels both stranger and more assured.